I am very happy to announce that my two small scenes on working hours, i.e. early and late shift at the desk in the home office, Early Bird and Night Owl, are now available as posters and art prints at Posterlounge! ➔
I am very happy to announce that my two small scenes on working hours, i.e. early and late shift at the desk in the home office, Early Bird and Night Owl, are now available as posters and art prints at Posterlounge! ➔
After the Hybrid Pleated Mask, Hybrid Custom Masks and the Hybrid Boxy Mask, I created a Hybrid Mask Frame – as an alternative for all those who cannot breathe well with Double Masks, yet don’t find a gaplessly fitting, slip-free respirator or surgical mask. Due to a reverse pleat, this Mask Frame fits perfectly – even without nose wire! ➔
In addition to the illustrated instructions for sewing my brand new, not only gaplessly and slip-free fitting, but also very spacious Hybrid Boxy Mask, I have now created a highly detailed step-by-step picture tutorial for beginners! ➔
Now that I’ve gone through all the possibilities to customize my original Hybrid Mask for a wide range of face shapes, needs and preferences, I finally created a new cloth mask pattern with an open chin dart (or twisted pleat). Similar to 3D, Boxy, Origami, Japanese or Octagon shapes, which form a square box, the Hybrid Boxy Mask forms a triangular box which does not touch the mouth or nosetip and offers plenty of space for breathing, speaking or singing. ➔
There is something very strange in opening a newsletter and seeing your own illustration there, but after a moment of awkwardness, I’m very happy that my day and night shift illustration is featured by The Creative Finder today! ➔
Some maskers insert disposable filter materials (e.g. Filti) between the inner and outer layers of reusable cloth masks. For this reason, my Hybrid Mask has a filter opening! This offers the advantage of combining decent fit (through mask pattern) and filter efficiency (through disposable filters), but the disadvantage that filters are often complicated to insert, rarely cover the whole surface and easily slip. For me and my family, double masking, i.e. wearing FFP2 / KN95, surgical or self-stapled, same-pattern filter masks underneath, seems like a better option. Lately though, a lovely mask maker mentioned how complicated double masking is for kids, and I finally had an idea: Filter frames! ➔
Since I first published my pattern for sewing the Hybrid Cloth Mask, which fits gapless (even without nosepiece!) and reliably stays in place, I’ve been asked about adjustments for special shapes and needs. In this post, I introduce a selection of these customized Hybrid patterns, and every now and then (last March 8th, 2021), I add new ones! ➔
If you take a closer look, there are so many ways to attach a face mask to your ears or head! After looking into masks in great detail over the past couple of weeks and having all these little sketches for mask tying techniques on my desk, I finally drew an infographic that shows all the different ways to tie a cloth mask with ear bands or head ties. ➔
Since I first published pattern and instructions for my Hybrid Cloth Mask, which fits gapless yet roomy and reliably stays in place, I’ve been asked about making a detail tutorial for beginners and visual learners, but as a video needs at least 2-3 quiet days and a picture tutorial was possible to just make inbetween, I decided to go with that for now! ➔
For my own production, I optimized the pattern and manufacture of the cloth mask, to make it fit gapless and fog-free around nose, cheeks and chin and reliably stay in place, so it doesn’t slide up the eyes or down the nose. Individual parts such as wire, filter and ties are very easy to replace, plus the mask is quick and simple to sew, wash and iron. ➔
Do you know these moments, when you stumble over last years’ pictures or some souvenir from your last vacations and all of a sudden, there is this incredible longing for some real, true everyday life, just as we knew it?
I reworked my secretary for an invitation card by Technische Universität Berlin. The slogan for a seminar program for administration staff, “All threads in hand!”, is “Are you still typing, or are you managing already?”. ➔
Today, I was very happy to receive my fresh specimens of the spring issue of »Waldstück«, the awesome free magazine by Niedersächsische Landesforsten! For another kid’s poster inside the magazine, I illustrated the 15 most important forester tools. My graphics are accompanied by small photos of usage and some very interesting information. ➔
EmpaTrain was so fond of the information graphics in the background of my Empathy Lab that they wanted to have extra postcards from the retro wall chart “The Empathic Giraffe” and the poster “Dance on the Volcano”. ➔
After drawing the Emmy und Patty breakfast board for EmpaTrain (specialist for non-violent communication and mediation), I now illustrated the second board for them, which shows an empathy lab – with lab scientists as well as the multitude of substances, facilities and materials you might need to brew empathy on a laboratory bench. This time, my illustration will not only become a breakfast board, but also be printed on postcards and posters, and it will not only be used for advertising their services, but also as a descriptive educational material in seminars! ➔
After a really long time, I uploaded fresh illustrations for posters and art prints to the Posterlounge: Flora im Walde, the Rosenrot girl, the famous picnicerettes, my virtual secretary (named Antonie Seidensiefer), my Seestück series and the curious Märchenmädchen in Paris! – And maybe there’s going to be more printed products soon? ➔
For Julia Astrid Riemenschneider, I recently designed and illustrated the cover of her master thesis “Der Ehrbare Unternehmensberater – Eine kritische Auseinandersetzung zur Kongruenz des Leitbildes des Ehrbaren Kaufmanns mit dem Geschäftsmodell der Unternehmensberatung”. ➔
This is the mastercard I illustrated, as commissioned by the Stadtsparkasse Wuppertal, with the main buildings of the Bergisch University (BUGH) and which will soon be available to students and staff in ten different colour schemes. In the pictures you can see several mock-ups with all colours, imprints, embossings and chip. ➔
Once again, I’ve been drawing for the Wuppertaler Stadtsparkasse, this time a black-and-white view of the buildings of the University of Wuppertal (BUGH) on Grifflenberg. My illustration will soon be printed in ten different colour schemes on the front of a special mastercard for students and staff of the university. For this project, I had to work very different from my usual process – not only without outlines, but also without people, details or colours, but precisely after a photograph, with correct perspectives – and it actually was a challenge, but a lot of fun as well!
I designed two pages of Bullshit Bingo for the AOK magazines onJOB and onUNI, for the topics canteen (onJOB) and flat share (onUNI). That was great fun, and I’d like to thank Dani from their agency WDV for the really nice collaboration! <!–more
Bullshit-Bingo zur Kantine für onJOB
Bullshit-Bingo zur WG für onUNI
In between illustration about classic office work I cleaned, coloured and furnished lately – and somehow it all of a sudden became a series! ➔
This is what happens when you wait for a client’s final corrections and time is running… ➔
Isn’t it wonderful to reinvent oneself sometimes? I started developping characters that are much simpler than I’d usually draw them and better at playing in little scenes and I am having a lot of fun with that… to be continued! ➔
Several page designs for a book project on a furnishing subject – the characters were meant to look like some real specialists, lead the reader through the book and describe things in a graphic way. ➔
Several character designs for a book project on a furnishing subject – the characters were meant to look like some real specialists, lead the reader through the book and describe things in a graphic way.
Several design for an (unpublished) book project with a furnishing topic. ➔
00:21 a.m. // This is my very first post in the new WordPress format, and I’ll see if I can get my beautiful Fontface fonts up and running here… and the whole thing nicely integrated with my site (where the Fontface embedding already works)… a real challenge. ➔
“Lily loves stealing time.” ➔
“Lily loves her work. And if it is too much, she just makes the best of it.” ➔
My first all-handmade original drawing since 2004, for the sketchbook ‘Meine Welt’ (my world) by Illustratoren-Organisation. It was great, great fun and I had a hilarious weekend with the book… even though it was really heartbreaking to say goodbye and send it over to its next stop! ➔
I just finished a Cover Illustration for the (Magazin der privatärztlichen Verrechnungsstellen, Ed.: PVS Verband) about ‘Medicine Brands (Branding in Healthcare)’. Thank you very much for the nice collaboration to Martin Schulz from FGS Kommunikation Berlin! ➔
Commission: Cover Illustration for ‘Ärztepost’ about ‘Branding in Healthcare’, Client: PVS Verband c/o FGS Kommunikation. ➔
Now monthly in Penthouse Magazine: an exclusive mystery series by Jagomir Krohm about private investigator Jo Kant, illustrated by me. Part Six: “Schwarze Hoffnung” ➔
Now monthly in Penthouse Magazine: an exclusive mystery series by Jagomir Krohm about private investigator Jo Kant, illustrated by me. Part Five: “Im Abseits” ➔
Now monthly in Penthouse Magazine: an exclusive mystery series by Jagomir Krohm about private investigator Jo Kant, illustrated by me. Part Four: “Katamaran” ➔
Now monthly in Penthouse Magazine: an exclusive mystery series by Jagomir Krohm about private investigator Jo Kant, illustrated by me. Part Three: “Das Cello” ➔
Now monthly in Penthouse Magazine: an exclusive mystery series by Jagomir Krohm about private investigator Jo Kant, illustrated by me. Part Two: “Tod im Pool” ➔
Now monthly in Penthouse Magazine: an exclusive mystery series by Jagomir Krohm about private investigator Jo Kant, illustrated by me. Part one: “Ricos Tod” ➔
Coming soon in Penthouse Magazine: Mystery Stories by Jagomir Krohm, illustrated by me!
I am very happy to announce that my two small scenes on working hours, i.e. early and late shift at the desk in the home office, Early Bird and Night Owl, are now available as posters and art prints at Posterlounge! ➔
After the Hybrid Pleated Mask, Hybrid Custom Masks and the Hybrid Boxy Mask, I created a Hybrid Mask Frame – as an alternative for all those who cannot breathe well with Double Masks, yet don’t find a gaplessly fitting, slip-free respirator or surgical mask. Due to a reverse pleat, this Mask Frame fits perfectly – even without nose wire! ➔
In addition to the illustrated instructions for sewing my brand new, not only gaplessly and slip-free fitting, but also very spacious Hybrid Boxy Mask, I have now created a highly detailed step-by-step picture tutorial for beginners! ➔
Now that I’ve gone through all the possibilities to customize my original Hybrid Mask for a wide range of face shapes, needs and preferences, I finally created a new cloth mask pattern with an open chin dart (or twisted pleat). Similar to 3D, Boxy, Origami, Japanese or Octagon shapes, which form a square box, the Hybrid Boxy Mask forms a triangular box which does not touch the mouth or nosetip and offers plenty of space for breathing, speaking or singing. ➔
There is something very strange in opening a newsletter and seeing your own illustration there, but after a moment of awkwardness, I’m very happy that my day and night shift illustration is featured by The Creative Finder today! ➔
Some maskers insert disposable filter materials (e.g. Filti) between the inner and outer layers of reusable cloth masks. For this reason, my Hybrid Mask has a filter opening! This offers the advantage of combining decent fit (through mask pattern) and filter efficiency (through disposable filters), but the disadvantage that filters are often complicated to insert, rarely cover the whole surface and easily slip. For me and my family, double masking, i.e. wearing FFP2 / KN95, surgical or self-stapled, same-pattern filter masks underneath, seems like a better option. Lately though, a lovely mask maker mentioned how complicated double masking is for kids, and I finally had an idea: Filter frames! ➔
Since I first published my pattern for sewing the Hybrid Cloth Mask, which fits gapless (even without nosepiece!) and reliably stays in place, I’ve been asked about adjustments for special shapes and needs. In this post, I introduce a selection of these customized Hybrid patterns, and every now and then (last March 8th, 2021), I add new ones! ➔
If you take a closer look, there are so many ways to attach a face mask to your ears or head! After looking into masks in great detail over the past couple of weeks and having all these little sketches for mask tying techniques on my desk, I finally drew an infographic that shows all the different ways to tie a cloth mask with ear bands or head ties. ➔
Since I first published pattern and instructions for my Hybrid Cloth Mask, which fits gapless yet roomy and reliably stays in place, I’ve been asked about making a detail tutorial for beginners and visual learners, but as a video needs at least 2-3 quiet days and a picture tutorial was possible to just make inbetween, I decided to go with that for now! ➔
For my own production, I optimized the pattern and manufacture of the cloth mask, to make it fit gapless and fog-free around nose, cheeks and chin and reliably stay in place, so it doesn’t slide up the eyes or down the nose. Individual parts such as wire, filter and ties are very easy to replace, plus the mask is quick and simple to sew, wash and iron. ➔
Do you know these moments, when you stumble over last years’ pictures or some souvenir from your last vacations and all of a sudden, there is this incredible longing for some real, true everyday life, just as we knew it?
I reworked my secretary for an invitation card by Technische Universität Berlin. The slogan for a seminar program for administration staff, “All threads in hand!”, is “Are you still typing, or are you managing already?”. ➔
Today, I was very happy to receive my fresh specimens of the spring issue of »Waldstück«, the awesome free magazine by Niedersächsische Landesforsten! For another kid’s poster inside the magazine, I illustrated the 15 most important forester tools. My graphics are accompanied by small photos of usage and some very interesting information. ➔
EmpaTrain was so fond of the information graphics in the background of my Empathy Lab that they wanted to have extra postcards from the retro wall chart “The Empathic Giraffe” and the poster “Dance on the Volcano”. ➔
After drawing the Emmy und Patty breakfast board for EmpaTrain (specialist for non-violent communication and mediation), I now illustrated the second board for them, which shows an empathy lab – with lab scientists as well as the multitude of substances, facilities and materials you might need to brew empathy on a laboratory bench. This time, my illustration will not only become a breakfast board, but also be printed on postcards and posters, and it will not only be used for advertising their services, but also as a descriptive educational material in seminars! ➔
After a really long time, I uploaded fresh illustrations for posters and art prints to the Posterlounge: Flora im Walde, the Rosenrot girl, the famous picnicerettes, my virtual secretary (named Antonie Seidensiefer), my Seestück series and the curious Märchenmädchen in Paris! – And maybe there’s going to be more printed products soon? ➔
For Julia Astrid Riemenschneider, I recently designed and illustrated the cover of her master thesis “Der Ehrbare Unternehmensberater – Eine kritische Auseinandersetzung zur Kongruenz des Leitbildes des Ehrbaren Kaufmanns mit dem Geschäftsmodell der Unternehmensberatung”. ➔
This is the mastercard I illustrated, as commissioned by the Stadtsparkasse Wuppertal, with the main buildings of the Bergisch University (BUGH) and which will soon be available to students and staff in ten different colour schemes. In the pictures you can see several mock-ups with all colours, imprints, embossings and chip. ➔
Once again, I’ve been drawing for the Wuppertaler Stadtsparkasse, this time a black-and-white view of the buildings of the University of Wuppertal (BUGH) on Grifflenberg. My illustration will soon be printed in ten different colour schemes on the front of a special mastercard for students and staff of the university. For this project, I had to work very different from my usual process – not only without outlines, but also without people, details or colours, but precisely after a photograph, with correct perspectives – and it actually was a challenge, but a lot of fun as well!
I designed two pages of Bullshit Bingo for the AOK magazines onJOB and onUNI, for the topics canteen (onJOB) and flat share (onUNI). That was great fun, and I’d like to thank Dani from their agency WDV for the really nice collaboration! <!–more
Bullshit-Bingo zur Kantine für onJOB
Bullshit-Bingo zur WG für onUNI
In between illustration about classic office work I cleaned, coloured and furnished lately – and somehow it all of a sudden became a series! ➔
This is what happens when you wait for a client’s final corrections and time is running… ➔
Isn’t it wonderful to reinvent oneself sometimes? I started developping characters that are much simpler than I’d usually draw them and better at playing in little scenes and I am having a lot of fun with that… to be continued! ➔
Several page designs for a book project on a furnishing subject – the characters were meant to look like some real specialists, lead the reader through the book and describe things in a graphic way. ➔
Several character designs for a book project on a furnishing subject – the characters were meant to look like some real specialists, lead the reader through the book and describe things in a graphic way.
Several design for an (unpublished) book project with a furnishing topic. ➔
00:21 a.m. // This is my very first post in the new WordPress format, and I’ll see if I can get my beautiful Fontface fonts up and running here… and the whole thing nicely integrated with my site (where the Fontface embedding already works)… a real challenge. ➔
“Lily loves stealing time.” ➔
“Lily loves her work. And if it is too much, she just makes the best of it.” ➔
My first all-handmade original drawing since 2004, for the sketchbook ‘Meine Welt’ (my world) by Illustratoren-Organisation. It was great, great fun and I had a hilarious weekend with the book… even though it was really heartbreaking to say goodbye and send it over to its next stop! ➔
I just finished a Cover Illustration for the (Magazin der privatärztlichen Verrechnungsstellen, Ed.: PVS Verband) about ‘Medicine Brands (Branding in Healthcare)’. Thank you very much for the nice collaboration to Martin Schulz from FGS Kommunikation Berlin! ➔
Commission: Cover Illustration for ‘Ärztepost’ about ‘Branding in Healthcare’, Client: PVS Verband c/o FGS Kommunikation. ➔
Now monthly in Penthouse Magazine: an exclusive mystery series by Jagomir Krohm about private investigator Jo Kant, illustrated by me. Part Six: “Schwarze Hoffnung” ➔
Now monthly in Penthouse Magazine: an exclusive mystery series by Jagomir Krohm about private investigator Jo Kant, illustrated by me. Part Five: “Im Abseits” ➔
Now monthly in Penthouse Magazine: an exclusive mystery series by Jagomir Krohm about private investigator Jo Kant, illustrated by me. Part Four: “Katamaran” ➔
Now monthly in Penthouse Magazine: an exclusive mystery series by Jagomir Krohm about private investigator Jo Kant, illustrated by me. Part Three: “Das Cello” ➔
Now monthly in Penthouse Magazine: an exclusive mystery series by Jagomir Krohm about private investigator Jo Kant, illustrated by me. Part Two: “Tod im Pool” ➔
Now monthly in Penthouse Magazine: an exclusive mystery series by Jagomir Krohm about private investigator Jo Kant, illustrated by me. Part one: “Ricos Tod” ➔
Coming soon in Penthouse Magazine: Mystery Stories by Jagomir Krohm, illustrated by me!